Sledding on a Flexible Flyer….

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I used to write now and then for the Valley News, a paper in Vermont.  Here’s an article I wrote about sledding.  It’s prompted by the cold weather we’ve had here in New Hampshire these past few days….

Sledding

by Joseph Monninger

It’s a painful dilemma for Pie, my nine year old sledding companion.  He received a new Flexible Flyer for Christmas — the new boards almost yellow, the runners barn red — though his old sled, one he nicknamed Arrow, is perfectly sound.  Watching him inspect both as they hang on our shed wall, I appreciate his struggle.  He wants to be loyal to the old sled, a short bed Flexible Flyer I bought in a yard sale for ten dollars two years before, but the appeal of the new sled is undeniable.  Ideally he would take both, alternating them on various runs, but we both know that is unrealistic.  He has to choose.  Behind me his mom, Wendy, tells him to make up his mind.

“Rocket,” he says, which is the name for the new sled.

He looks at me to see if I disapprove.  Because we have been sledding together before, he knows I am fond of yard sale sleds, the ones that have turned the color of horse harness.  I collect them as some people collect tools or duck decoys, and I always have five or six around the place.  I like the way they look and I like the way the front assemblage can bend and twist, a calf’s neck being bulled by a cowboy.  I hoist my long one from the wall, a sled named Thunder Boy, and his mom, my girlfriend, selects Mustang.

“Maybe I’ll take Arrow,” he says, referring to the old sled.

“No, use Rocket,” I say.  “It needs to be broken in.”

He stares up at me, uncertain.  He wears a blue snowsuit, a red hat, and wide, clunky boots.  He is a superb sledder, fearless in ways I have left behind long ago.  He looks for icy patches and jumps, while I prefer a long, smooth ride through the hills of Warren, NH.   He finds spin-outs fun.  He loves to tip over.

After he breaks our stare, he nods and helps me lift Rocket off the wall.  He scoots it down the driveway and lifts it into the back of my pick up where my Labrador retriever, D-Dog, already waits.

Fifteen minutes later we stand at the top of a long run, one packed solid by snowmobiles the night before.  But the snowmobiles are gone and now the forest is quiet except for an occasional chickadee calling from winter branches.  Pie doesn’t wait.  He folds the rope back, squares it carefully so it won’t dangle down while he’s moving, then makes a short, rump-high run, his arms extended to the bed of his sled, his legs churning behind.  His snowsuit makes a whistling sound as he runs, his tiny legs pushing to gain speed.  Then he grunts and lunges forward, his belly umphhhing a bit when he hits the bed of the sled.  As he turns the corner of the first section, his arms steering the sled perfectly, he shouts back over his shoulder, “To infinity and beyond,” one of his favorite lines from Toy Story and Toy Story 2.  His voice is enough to get D-Dog started.  She tears after him, her paws flicking up snow, her fur covered by glistening frost.  She runs head down, flat out, chasing Pie’s whoops as he goes down the mile run that is one of four or five sledding destinations not more than ten minutes from my house.

 

 

*    *    *

 

            Although I sledded as a kid in suburban New Jersey, going to a place called Richter’s Hill, I had largely forgotten about it — about the cold walks on winter afternoons and the numbness in one’s fingers, the fast, hard ride only inches from the packed snow — until a few years ago when I moved to Warren, New Hampshire.  Like most of my neighbors, when it snowed I thought primarily of skis.  But I didn’t grow up on skis and wasn’t particularly skilled on them.  When I went for long cross country treks into the woods and hills around my home, I never felt entirely comfortable.  Cross country skis are difficult things in the woods because they have no edges, making turns on narrow trails nearly impossible.  Travelling alone, I lived with the fear of slamming into a tree or falling and breaking a leg, no one around to help me but D-Dog.  At the same time, I thought it a waste of energy and opportunity to trudge down such wonderful hills in a thick pair of Bean boots.

After one particularly large snow, and a bad fall on cross country skis, I bought my first sled on impulse in an antique store near Newfound Lake.  The next day I found myself, at 45, hurtling down a remote snowmobile trail, my hands clutching the wooden bow of the Flexible Flyer.  After my first run in over thirty years, an all out blitz that carried me approximately a mile down hill in one beautiful glide, I let out a loud, goofy laugh that seemed more genuine and much younger than my laugh had been in a long, long time.  Snow covered my face, and my hat had pulled back on my forehead, but I couldn’t stop laughing.

 

*  *  *

 

“Creating childhood memories since 1889,” is actually the corporate motto of Flexible Flyer, based in West Point, Mississippi.  Sledding, or coasting as it was commonly called in the 1800’s, was the passion of a young man named Samuel Leeds Allen.  Allen was born in 1841 in Philadelphia.  At eleven his parents sent him to the Westtown Boarding School, a Quaker Academy popular among prominent families of the day.  In 1861 at the age of twenty, Allen decided to learn agriculture on his father’s farm near Westfield, New Jersey.  He worked long and hard hours to understand every aspect of farming.  In 1866 he married Sarah Horton Roberts in the meeting house at Westtown School, and together they took up residence at Ivystone Farm.  In the same year, Allen invented two pieces of farm equipment — a fertilizer drill for spreading guano and seed drill called the Planet Junior.  These two inventions were the impetus to the founding of the S.L. Allen Co., manufacturers of “Planet Junior” farm equipment.  By 1881 the company was selling its equipment throughout the United States and Europe from sales and manufacturing offices in downtown Philadelphia.

Allen’s early attempts at inventing the best sled for coasting were all tried out on his daughter, Elizabeth, on the hill at Westown School or Ivystone farm in New Jersey.  Allen designed intriguing variations — a Phantom, a Fleetwing, an Aeriel, and a Fairy Coaster — before hitting on the Flexible Flyer.  As A.L. Jacoby, sales manger of the S.L. Allen Co. in 1889 wrote in an account of the invention noted:

“Mr. Allen worked up a sled with only one pair of rounded runners, and had these runners weakened at one point about half way back to form a sort of hinge, so they could be bent sidewise there.  This gave the steering effect of a double runner sled, but with a continuous runner.  This first flexible runner sled was never tried out on snow, but it gave Mr. Allen the right idea, and a sled with flexible t-shaped runners and a slatted seat was soon made, and after it was a proven success, was named by Mr. Allen, the Flexible Flyer.”

The sled’s design has changed little in the last century.  Made from American hardwood and steel by American workers, the sled comes in 42”, 48”, 54”, and 60” lengths.  It retails for somewhere between $35-60, which is not much more than Mr. Allen’s original price for his Fairy Coaster, a sled designed to hold four or five adults in the late 1800’s.

The sled was not an immediate success.  Allen’s own salesmen, accustomed to the farm equipment business, did not like trying to sell the sleds because the sales season cut their vacations short.  But in 1900’s, with the revival of golf in the United States and the resultant interest in tennis, skating, tobogganing, and other outdoor sports, the sled finally made its mark in American consciousness.  Allen Co. salesmen succeeding in convincing two big name department stores of the merits of the sled — Wanamaker’s in Philadelphia and R.H. Macy’s in New York.  By 1915 Samuel Allen wrote to his wife in a letter sent just before Christmas 1915:

“We have been selling sleds at a great pace, averaging right along about 2,000 per day, and the demand so urgent we are sending whole car loads of about 1,200 each to New York, New Haven, and Pittsburgh by express: perhaps five full cars in all.  There seems little doubt but that we will sell out clean, in all about 120,000; and it also seems likely that the dealers will sell out clean.”

Since then, the Flexible Flyer has been a staple under American Christmas trees. The sleds can be found pictured on holiday greeting cards, in advertisements, on TV, in the movies, and even in the Smithsonian.  Ask most children to draw a sled, and you have a fifty-fifty chance of receiving a drawing of Santa’s reindeer pulling his large sleigh, or of the impeccably designed, wonderfully efficient Flexible Flyer.

 

*  *  *

            Pie, of course, doesn’t know any of this history.  When he disappears from view, his mother, Wendy, charges forward and glides off into the middle distance, her shouts equally aimed at Pie and at me.  I wait a ten count, then run with the sled pressed against my chest, my feet sliding, the sled certain in my grip.  Then for a second I jump forward, landing with a krummph on the slated boards, the runners hissing underneath me.  For a moment the world comes at me slowly.  My vision is filled by mounded snow banks and pine boughs trapped by late night storms, but little by little my speed increases.  When I round the first bend I see Wendy in front of me, D-Dog bobbing around her still trying to divine how humans can make no motion yet travel at such speeds.  Then suddenly I know I am going fast, flicking along the ground, covering ice and snow, wind grinding against my cheeks.  I yell out, “To infinity and beyond,” because it is what Pie likes us all to yell and because it seems a sensible thing to yell on a sled, and I glimpse him down at the bottom of the run, climbing onto the snow bank.  As I go toward him, Thunder Boy solid beneath me, it is hard to resist the obvious conclusion: that we sled to go back to a younger day.  That boys like Pie will always be waiting at the bottom of coasting runs, reminding us by their existence of what we had forgotten.  And I know I will only be good for two or three runs today, that I will never sled all day and wobble home to hot chocolate and the incredible warmth of one’s boyhood kitchen again.  But I will be in the kitchen waiting for Pie, and my heart will lift to see him return in the last light with his sled behind him, his future and my past caught somewhere between us.

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Excerpt of Margaret from Maine……

Margaret from Maine excerpt

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Workers’ holidays……

Thought this was interesting.  Here’s a graph describing how many paid vacation days workers in various industrialized countries receive.  It might surprise you to see that the U.S. is one of the lowest.  Americans work hard.

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Turkey grasshopper hunt….

Joe Hutto spent a year with a flock of turkeys.  I’ve raised turkeys myself and really enjoyed the Nature documentary.  Here’s a brief take of turkeys going through a field after grasshoppers.  They look like dinosaurs to me!

 

 

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Irish Legend….

If you don’t know this one, you might like it.  Great old legend….

The Legend of Tir Na Nog
The Land of YouthLong ago, on an isle of emerald green, surrounded by a sea of azure blue, there lived a young man named Oisin.

Oisin liked to explore the moors with the Fianna, ancient warrior-hunters.

One day, when Oisin and the Fianna were out hunting, they saw an extraordinary sight.  It was a beautiful young woman with long red hair, riding on a spirited white mare.  The sun glistened off the maiden’s hair, casting a magical golden light.

The mare’s movements were so fluid that she appeared to float across the ground.  As her rider brought her to a stop before the group, the horse’s hooves struck at the field stones impatiently, sending small sparks into the air.

“My name is Niamh,” the woman said, in a voice that sounded like the music of a harp.  “My father is the king of Tir Na Nog.”

Oisin stepped forward from the group of hunters to welcome the rider.  As his eyes met Niamh’s, they fell in love.

“Come with me to Tir Na Nog,” Niamh pleaded to her new found love.  After only a moment’s hesitation, Oisin swung up behind Niamh onto the white horse.

Together, they crossed the sea to Tir Na Nog.

Having grown up on the Emerald Isle, Oisin would never have believed that a more beautiful land existed.   But, as he gazed upon Tir Na Nog, he was stunned by the beauty around him.

In this magical land, Niamh and Oisin built a life together.  They spent each day exploring Tir Na Nog with the white mare.  Niamh and Oisin’s love grew deeper as Niamh shared the beauty of her enchanted homeland.

300 years passed as though it were but a single day.  No one in Tir Na Nog ever grew old or fell sick.  They lived in endless, youthful moments filled with happiness.

In spite of the beauty of the land and the deep love that Niamh and Oisin shared for each other, a small part of Oisin’s soul knew loneliness.

Such feelings were unheard of in Tir Na Nog.  But in spite of her efforts, Niamh was unable to ease Oisin’s loneliness.

So, when Oisin came to Niamh and told her of his desire to return to Ireland to see his family and the Fianna again, she could not hold him back.

“All right,” said Niamh.  “Return to Ireland on the back of the white mare.  But my dear, your foot must not touch the soil of Ireland!”

Immediately Oisin rode the white horse back across the sea to the land of his birth.

But, as soon as the mare’s hooves touched Ireland’s soil, Oisin realized how much the land had changed.  Oisin’s family and friends had long passed away.  Their grand castle was over grown with ivy.

Oisin was so caught up in his quest to find his family and his grief at their loss, that he forgot to care for the beautiful white horse.  In spite of her hunger and fatigue she continued to respond to her rider.

Finally, with a sad heart, Oisin turned the mare back toward the sea to return to Tir Na Nog.

Approaching the sea, he came upon a group of men working in a field.  As the mare reached the group, her fatigue caused her to stumble.  Her hoof hit a stone.  Oisin bent down to pick up the rock, planning to take it to Tir Na Nog.  He was sure that it would ease his sadness to carry a piece of Ireland back with him.

But as his hand grasped the stone, Oisin lost his balance and fell to the ground.

Within moments, Oisin aged 300 years.

Without her rider, the mare reared up and rushed into the ocean, returning to Tir Na Nog and her beloved Niamh.

When the men in the field witnessed this, they were amazed.  Not only had they seen a young man age before their eyes, they had also seen a tired old plow horse transformed into a beautiful silver-white mare, who  raced into the sea.

The men went to Oisin’s aid and carried him to St. Patrick.

When Oisin met St. Patrick, he told Patrick of the his family and the Fianna, who had disappeared from Ireland almost 300 years before.  Then he told St. Patrick of Niamh and the magical land of Tir Na Nog.

As Oisin ended his story, a great weariness swept over him and he closed his eyes in eternal slumber.

Even to this day, the fishermen and lighthouse keepers still tell of foggy nights when the moon is full, and they see a shimmering white horse dancing in the waves along the shores of Ireland.  Some say that the red-haired maiden who rides the horse still searches for Oisin.

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Rhino Heads….

Twin rhinos….
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The Voting Map…..

The U.S. map representing blue and red according to population…not land mass.
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Nice Review of Spielberg’s Lincoln…..

By Richard Schickel

When Steven Spielberg was 7 or 8 years old, his uncle took him to Washington, D.C., to see the historic and patriotic sights. The one that impressed him most was the Lincoln Memorial. “I was very little and Lincoln was very big, sitting on that throne, that great chair,” he recalls. “I was very intimidated by it and almost couldn’t make eye contact with the figurehead.”

Spielberg was, at the time, mildly dyslexic, but he found that his reading troubles disappeared when the subject was Lincoln. Perhaps he didn’t fully realize it at the time—any more than he realized he was going to be a film director—but an obsession was born. Now, after almost 60 years, his obsession has at last borne fruit: “Lincoln” is upon us and it is close to being a great film—beautifully acted, sober in intent and, above all, a passion project that represents an unwavering, virtually lifelong, commitment to an enterprise that is not, on its face, a natural screen subject despite the many Lincoln films over the years.

Let’s face it: Lincoln is inherently a static and talkative subject that Spielberg has triumphed over not through avoidance, but by embrace. Through the years, many scripts were written, all of which were found wanting. It was not until he turned to playwright Tony Kushner, who earlier wrote “Munich” at Spielberg’s behest, that he began to hear Lincoln’s voice, perhaps a little too fulsomely; Kushner’s first draft was more than 500 pages, nearly five times the customary length of a screenplay.

The topic became narrowly focused: The film is chiefly about Lincoln’s attempt to pass the 13th Amendment to end slavery. And a lot of its glory derives from the fact that it grants the issue’s full complexity. Politically, it is a vexing matter, and the movie utterly refuses to simplify it. We have to attend its arguments very carefully. Yet—and this is very much to its credit—they are clearly stated. I cannot readily summon up another movie that deals with an issue, now fairly obscure except to historians specializing in this field, with greater force of detail. Or passion. These people—notably Lincoln—care about this matter and their passion is clarifying. They do not get lost in their arguments and neither do we.

That has a lot to do with the acting, notably Daniel Day-Lewis’ Lincoln. Research has taught him that Lincoln had a rather high, thin voice. The noble resonances and bearing of, say, Raymond Massey are not for him, and this naturalism is a huge, humanizing aid to his characterization. He can, for example, easily tell a funny story and there is no patronizing about it. He is likable, but never seems to be using us for our favor when the mood for drollery overtakes him.

Yet there is steel in the man. He will have what he must have, and what the country must have, in his judgment, and he beavers away tirelessly to assert his will on his “Team of Rivals,” to quote the title of Doris Kearns Goodwin’s book, which is one of the film’s sources. His work is unforced, even easeful at times. It is a great performance, yet one that never once admits that it is going for greatness.

The same may be said for Sally Field as Mary Todd Lincoln. It is, more or less by common consent, a thankless role but not in Field’s playing. She is much more helpmate than termagant, a woman of spirit, passion and—who would have guessed?—an affectionate nature. At least in this telling, all is well with the Lincoln marriage and the movie is the better for it. Honest Abe had enough troubles without adding a difficult marriage to the list.

What can be said of Field can be said of the rest of the cast—David Strathairn, Hal Holbrook and, most notably, Tommy Lee Jones as a marvelously bumptious Thaddeus Stevens. You could argue—fatuously, I think—that this bold performance is out of key with the rest of the picture, but Jones is on it when it comes to a wayward and hilarious life that goes a long way toward rescuing the film from the danger of being merely earnest and high-minded.

That is not a flaw that the film succumbs to; it is merely a risk that it runs. And avoids. I don’t suppose that Spielberg ever thought that “Lincoln” would be one of his mightiest hits. It was clearly never imagined to be an “E.T.” or “Indiana Jones.” It’s too thoughtful for that—too staid and too static. He wants it to be that way. If, occasionally, our attention wanders from its closely reasoned arguments, it soon wanders back.

There was a time when films of this quality and character were not as rare as they are now, when directors of Spielberg’s talent and ambition thought it was an obligation to make movies that were not meant to be huge hits, that spoke to their passions or, rather, their obsessions. Spielberg has a good record in that regard. “Lincoln” is a hard movie to like, in the conventional sense of that term. But Spielberg is, I think, a better man for having made it. And we will be the better for seeing it, as ultimately we must, if we care about a cinema that is something more than heedless and headstrong. In its way, this film is one of Spielberg’s riskiest. It deserves our attention and regard.

Correction: An earlier version of this review accidentally said Lincoln was attempting to pass the Emancipation Proclamation. This was a slip of the tongue. The film takes place during the attempt to pass the 13th Amendment in the House of Representatives.


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The Republicans Must Return to Facts…..

Although this is far from a political site, I was captured by Rachel Maddow’s outline of what we didn’t get by electing Romney and I’ve linked it below.  I agree with her.  It’s difficult to look at the Republican agenda — however you might be tempted by it — without realizing it is regressive.  To adopt many of the policies would be to go backward.  That’s just solid.  Do we really want religion in our classes and public places?  Do we want to ignore climate science?  Do we want to install creationism in the place of evolution? Do we want to prohibit the study of stem cells?   These are old, tired ideas…ones that have been disproven over and over.  Whatever else Obama embraces, he at least is forward looking.  His policies move us forward as a country.  Take a listen here if you can.  I found the link on Raw Story.  She does a great job….

 

http://www.rawstory.com/rs/2012/11/07/maddow-asks-republicans-to-return-to-the-world-of-facts/

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British Dramas….

Most of us have a favorite British period drama.  My wife and I have watched Upstairs-Downstairs, Thomas and Sarah, the Forsythe Saga, Downton Abbey, Bertie & Jeeves, The Eliot Sisters and probably a few I can’t remember right now.  You have to be in the mood to watch them, but when the planets align I don’t know of more compelling drama.  It’s fun to make a date to watch them, to fix some popcorn and watch how the episodes leisurely unwind.  If you’re already a fan, then I don’t need to persuade you.  If you’re not, well, I hope you’ll give them another shot.

 

All that said, you’ll understand why I had to visit a true Irish country house when given the opportunity.  I’ve visited plenty of castles, and even some palatial manors in Rhode Island, but a British or Irish country house….never.

 

On Saturday my wife and I visited Muckross House near Kilarney, Ireland.  It was built in 1841 and it is everything you would want in a country house.  We visited the dining room, the bedrooms – Queen Victoria stayed there in 1861 (with one hundred retainers and a platoon or two of Dragoons) –  and especially the kitchen.  The Downstairs staff came alive with the first glimpse of the kitchen.  It was large and bright, with floor to ceiling windows and an enormous center table.  You could picture the kitchen staff working there – the house had 21 servers – and imagine the family ringing bells to summon them.  Great slabs of slate covered the floors; along the walls, approximately 30 bells waited, each one with a different tone to signify what was needed.

 

Eventually the original owners had to sell; the Guinness heirs bought it, then finally gave it to the Irish State.  It’s now the center of a lovely park.  It’s an elegant home, still, but one I’m glad has fallen into disuse.  There is something inherently upside down about having thirty people working and living in primitive conditions in order to bring extraordinary comfort and luxury to one family.  When human labor is used to sculpt butter pads for the Queen of England, then it’s time for a change.

 

 

 

 

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